Rossella Di Rosa graduated cum laude from the University of Siena in 2008, where she studied Modern Languages and Intercultural Studies. After an inspiring year at Vassar College as a language fellow, she completed her MA and PhD in Italian at Rutgers University.
Her academic interests focus on second language acquisition, critical and digital pedagogy as well as modern and contemporary Italian literature, especially women’s writing. Her research lies at the intersection of literature, ecocriticism, posthumanism, new materialism, and gender studies. She has published several articles that analyze nomadic spaces and subjectivities, discuss the definition of nature, and explore the interdependence between human and nonhuman beings in Giacomo Leopardi, Anna Maria Ortese, Elsa Morante, María Zambrano, Fabrizia Ramondino, and Elena Ferrante.
Before joining the University of Pennsylvania, she taught Italian and Spanish at Rutgers and the University of Georgia.
Ph.D. Italian, Rutgers University
MA, Italian, Rutgers University
MA cum laude, Modern Languages and Intercultural Studies, University of Siena
BA, Foreign Languages and Literature (English and Spanish), University of Siena
- Second Language Acquisition & Foreign Language Teaching
- Critical and Digital Pedagogy
- Modern and Contemporary Italian Literature
- Women's Writing
- Gender Studies
- Literary Ecology
- New Materialism
- ITALIAN 1000 - Advanced Italian I
- ITALIAN 1200 - Advanced Italian II
- ITALIAN 3401 - Black Italy and Black Italians
- ITALIAN 3508 - Italian Literature: Italian Women Writers
- ITALIAN 3508 - Italilan Literature: Italian Ecologies
- ITALIAN 5910 - Italian Teaching and Learning
“Enhancing Foreign Language Learning and Interaction Inside and Outside the Classroom Through Video Streaming Services.” TILCA - Teaching Italian Language and Culture Annual, 2022, pp. 4-10.
“Material and Trans-corporeal Identities in Ferrante’s and Atwood’s Narratives.” MLN: Elena Ferrante in a Global Context, edited by Tiziana de Rogatis et al, 136.1, 2021, pp. 143-163.
“Women’s Eccentric and Nomadic Cooking in Fabrizia Ramondino’s Althénopis: When Food Tastes Good and Subversive.” Food and Women in Italian Literature, Culture, and Society: Eve’s Sinful Bite, edited by Claudia Bernardi et al., Bloomsbury Academic, 2020, pp. 116-127.
“From Nature to Matter: Leopardi’s anti-anthropocentrism and inchoate proto-ecological thinking.” Mapping Leopardi, Poetical and Philosophical Investigations, edited by Emanuela Cervato et al., Cambridge Scholars, 2019, pp. 409-432.
“Portrait of Antigone as Idiot Savant: Elsa Morante’s La Serata a Colono.” The Italianist 38.1, 2018, pp. 27-47.
“‘La questione animale’ di Anna Maria Ortese: Alonso e i visionari e l’etica del soccorso.” Ecozon@ 7.2, 2016, pp. 134-148.
“Divenire animale – divenire Elisa. La centralità del gatto Alvaro in Menzogna e Sortilegio.” Carte Italiane 2.10,
2015, pp. 89-105.
“Anna Maria Ortese e María Zambrano: da ‘luoghi d’esilio’ per una filosofiapoetica.” Italica 92.1, 2015, pp. 62-82.